Waiting For It

Waiting For It

Any given artwork is made over a period of time. The gestation period is inherently uncertain, a series of conscious decisions by the artist and other contributing factors outside the artist’s intentions. A marker could be losing ink and create a more textured line than intended, the artist finds them self either annoyed and starting over or pleasantly surprised and continuing. At each moment, an outcome and a reaction, a constant stream of decisions. The more chaos in the process, the less certain the outcome. If you paint in oil, make lots of preliminary sketches and perfect a technique, you may get a painting pretty close to the one imagined before the process began. But even then happy and sad deviations will occur. We don’t have the power to make our thoughts material in an instant with no mechanical intervention.

Agapanthus 1

As someone who has very few concrete ideas of what I want before I start, I don’t aim for an outcome. I am much more interested in the moment by moment reaction to each new iteration. A very fast series of yes(es) and no(s) to the most recent addition. My whole goal is to not know what I will get, to work so fast and with so much randomness that I can’t possibly guess what the result will be. It’s not magic but a very good approximation, I think, and feels exciting.

Agapanthus Early Days cc small

The process of making a sidewalk face ranges from 5 to 15 minutes, about the time it takes for Decaf’s whimper to start getting annoying. So the evolution of the face is fast. Occasionally, sensing I could do better or needing supplies not locatable in the immediate vicinity, I go back to a spot and do a second version, my way of sketching and perfecting.

Most faces dissipate before I encounter them again. Wind or feet knock all the elements out of alignment and the character devolves back to a gunky stain or evaporates or decomposes or whatever.

But! There is one type of Sidewalk Face that does take time to fully develop, the faces I make in living matter. Aliveness and growth are additional chaos elements. I start the ball rolling and then wait to see the result, natural biological forces take over the creative process. It’s a collab with mother nature. How can it get more fun that that?!

Agapanthus 5_cropped

Want to see what happened to him after he fell off? Check it out!

 

When Grossness Is Your Medium You Can Make Art Anywhere

When Grossness Is Your Medium You Can Make Art Anywhere

Over the past 3 years that I’ve been making faces in my neighborhood, I’ve learned a lot of very specific stuff. I learn it the same way wild animals learn stuff, I just walk around a lot and notice everything. So here’s a thing I’ve learned, the grossest things are in the the alley. Furthermore, the alley just south of Melrose is considerably grosser than the one just north of Beverly. Aren’t you glad you know that?

Most likely if you were to utilize this piece of intel, you would use it avoid them. What are they good for anyway? For me, needing to find and harvest all my art supplies, they are treasure troves. So much crap deposited densely in all directions. They are also wide and not well traveled. It’s nice to have some space.

Somebody recently hauled their refrigerator here and left it. It can’t have been easy to move, was its former residence the room behind that barred up window?

Sidewalk Face_2018_0905_2_09 cc

It’s nasty for sure buy not spectacularly so. Both the dogs and I had to check it out.

Sidewalk Face_2018_0905_2_10 cc_cropped.jpg

There is a not inconsiderable amount of gunk at the bottom. What’s it from? We can speculate but luckily we can’t know. I know you were wondering, is it still sticky and pliable or calcified into a permanent crust. It’s sticky. Time to grab a makeshift drawing implement (rusted nail, paper clip, bobby pin, thin but dense stick). Let’s do this!

Sidewalk Face_2018_0905_2_07 cc

Looks like we also need some white stuff and some eyeball definers. No prob. Here are two thin seed pods and a funky leaf. Good to go captain.

Sidewalk Face_2018_0905_2_06 cc

As much as possible I like to work with what is already happening such as that adorable left cheek and inquisitive mouth. It’s easy to know where to start. There is always something more something than something else.

Sidewalk Face_2018_0905_2_15 cc

I have learned that I can make art anywhere and I don’t have to know a thing about it before I start. It’s always a surprise. In a world that often makes me worry and fret, I like a nice surprise. Especially ones that upend my preconceived notions. Gunk is not just the result of past mistakes, it also has a future.

See Mr. Gunk Face in motion below. The dogs really dig the alley.

 

If it’s not fun, I’m not doing it.

If it’s not fun, I’m not doing it.

SWF Post_0349Does it undermine the post if I start by saying the title is obviously not true? I am still doing dishes, trying to keep my desk clear of excess clutter and being a parent. BUT…… regarding Sidewalk Face activities, I am challenging myself to not do anything unless I am psyched about it. No BIG GOALS. No shoulds or have to(s). It used to be like this so theoretically I already know how. It may be as simple as de-coupling my activities from an imaginary outcome. No more fantasizing that if I do x, y will happen. Now it’s just; how fun is it to do x?

Fun is the word I use in my own head but when I use fun around other people I am self conscious that it’s too frivilous. Putting stock in “fun” sounds immature. Kids are supposed to have fun but fun doesn’t pay the bills. Fun doesn’t get there on time. Fun doesn’t call your mother to check in. Fun sounds like the the wrong person to put in charge. So why do I want to do that anyway?

SWF Post_0319

Fun to me signals engagement. Engagement is important because if you are engaged in the activity you’re doing it. You might be doing it without enjoying it but seriously, how long will that last? You aren’t going to keep doing anything optional unless you enjoy it. So fun is enjoyment.

What’s enjoyment? It has an aspect that is felt in the moment and an aspect that is felt after the activity is over, a by-product. Both must be highly rated. You know how some movies are fun while you watch them but when you think about them later, they’re stupid and therefore you don’t feel that good about having seen them? Enjoyable in the moment but not after. And some things suck in the moment, like not eating as much cheese as you want, but feel great later. Very unenjoyable in the moment but satisfying the next day.

SWF Post_0337

The type of enjoyment I want to get back to, the fun I want to have, is the the kind that is fun in the moment and keeps growing and expanding when I reflect on it. I am specifically talking about being in the process of making art. Or more accurately, doing a creative activity. (I mean what is art? It’s hard enough to nail down this slippery word “fun”. I’ll deal with “art” later). When I am listening to music and drawing, it’s really fun. And when I look at my drawing over the course of the next week, because I have taped it on the wall, that’s also fun. It’s actually even more enjoyable to take so much time to “see” the work, to deeply notice and evaluate the composition, the colors, the choices. It creates anticipation for the next time, I gets me thinking of new things I want to try. It is a motor.  Fun is a motor.

Fun is what guarantees there is a next time. If you want a next time, fun beats the heck out of duty.