All the Good Advice I Didn’t Take

All the Good Advice I Didn’t Take

From my Dad:

If you want to make money, sell a product not yourself

and/or

Get a masters in business, I’ll pay

My response:

Nope, don’t care about money, more interested in freedom

(Wait 20 years and find out freedom is money, whoops!)

From my successful Art World Friends:

Get a Master’s in Fine Art

Make your work bigger

Maybe make your work better (if you can)

My response:

Nope, don’t want to go into debt, would rather spend money taking time off from work and just making art.

Like to keep it little cuz………..that’s just how it comes out? Don’t know how to make it bigger? Don’t want to store big shit?

Can’t make it better but I’m trying.

From various people who care:

Buy a house

My response:

Can’t cuz I didn’t take the earlier advice

All of this advice haunts me but I don’t regret my decisions. I think I would be very unhappy and not fit for friendship if I had been employed as a mid level manager these past 20 years. I would probably have a house though. I wonder how it would be decorated?

Sidewalk Face 1000

Sidewalk Face 1000

Since October 2015 I have posted 1000 sidewalk faces to Instagram. I choose this guy to be number #1000 because he embodies everything I value in the project: 

Pavement

The classic medium of my genre!

Seeing Potential

I like noticing things and examining closely so I turned that into an art practice. That’s how I entertain myself on endless dog walks, traversing the same streets year after year, I look for what is unusual or has changed. It’s my modern urban way of scratching the ancient hunter-gatherer itch. I got excited by the rusted metal pipe remains of his nose. The small things make my day.

Minimal Interference

My personal goal is to do the least to get the most. I try to make them feel as if they emerged on their own from what was naturally there. Sometimes my contribution is artificial and obvious, it’s more important to make a good expression than be austere but it’s part of my ethos to not overwork the image. This one is very minimal and that makes me happy.

Availablism

Wanting a little more detail than the curved sticks were providing, I added additional eye features with spit. That’s availablism. Use what you have. 

Emotional Expression

Some of you may recognize this face from Instagram, first posted in 2017, as #541. I walk by him most days and he looks about the same. However after a nice rain the evaporating water made his halo more pronounced and it was time to do another portrait! I knew right away he was special, such joie de vivre (French for joy of living). As you all know I post as many miserable faces as happy ones. I am always pushing to find greater emotional nuance in cement, sticks, stains and detritus. But whether my characters are content or sad, I am enriched by sharing them with all of you. They may speak to me but it’s when I read how you interpret them that I get my greatest joy. 

Waiting For It

Waiting For It

Any given artwork is made over a period of time. The gestation period is inherently uncertain, a series of conscious decisions by the artist and other contributing factors outside the artist’s intentions. A marker could be losing ink and create a more textured line than intended, the artist finds them self either annoyed and starting over or pleasantly surprised and continuing. At each moment, an outcome and a reaction, a constant stream of decisions. The more chaos in the process, the less certain the outcome. If you paint in oil, make lots of preliminary sketches and perfect a technique, you may get a painting pretty close to the one imagined before the process began. But even then happy and sad deviations will occur. We don’t have the power to make our thoughts material in an instant with no mechanical intervention.

Agapanthus 1

As someone who has very few concrete ideas of what I want before I start, I don’t aim for an outcome. I am much more interested in the moment by moment reaction to each new iteration. A very fast series of yes(es) and no(s) to the most recent addition. My whole goal is to not know what I will get, to work so fast and with so much randomness that I can’t possibly guess what the result will be. It’s not magic but a very good approximation, I think, and feels exciting.

Agapanthus Early Days cc small

The process of making a sidewalk face ranges from 5 to 15 minutes, about the time it takes for Decaf’s whimper to start getting annoying. So the evolution of the face is fast. Occasionally, sensing I could do better or needing supplies not locatable in the immediate vicinity, I go back to a spot and do a second version, my way of sketching and perfecting.

Most faces dissipate before I encounter them again. Wind or feet knock all the elements out of alignment and the character devolves back to a gunky stain or evaporates or decomposes or whatever.

But! There is one type of Sidewalk Face that does take time to fully develop, the faces I make in living matter. Aliveness and growth are additional chaos elements. I start the ball rolling and then wait to see the result, natural biological forces take over the creative process. It’s a collab with mother nature. How can it get more fun that that?!

Agapanthus 5_cropped

Want to see what happened to him after he fell off? Check it out!